A TRIBUTE TO THE CULTURE · EST. 2026
All Eyez
on Meme
the name that comes back
Where the name comes from
I will return,
and I will be
millions.
Afeni Shakur, a Black Panther, did not give her son a random name. She named him Tupac Amaru, after the Indigenous leader who led the largest uprising against Spanish rule in the Americas and was executed in Cusco in 1781.
That same year, near La Paz, the Aymara leader Túpac Katari was executed too. His last words come down to us as "I will return, and I will be millions." In Quechua, amaru is the serpent that sheds its skin and comes back.
Tupac Shakur died at 25 and became millions: every kid who learned the lyrics by heart, every wall painted with his face, every conversation that still asks who killed him and why. The films tell the story of one man. The community is the millions.

What this has that a meme coin does not
Not a picture
of a legacy.
The legacy.
Film IP behind it
A rights position in the Tupac film IP, held by our partner. Chain of title, the name and likeness licence and the estate's written consent are being verified document by document before anything carries the name in public.
Three films and a documentary
Not a promise of content. A slate in development, written by a member of Tupac's own family, with separate directors and one shared cast, plus a documentary about the days between the shooting and his death.
Music nobody has heard
Recordings Tupac made with local producers while touring, never mixed, never released, never earned from. Each one cleared on its own before it is offered, and the producers finally get paid.
The channels already exist
The official accounts carry more than 60 million follows between them, and 28.5 million people listen to Tupac on Spotify every month. This does not start from zero followers.
Signed, or not yet
Paper first.
Then the name.
Rights in a film are not rights in a name or a face. Every line below is tracked in the team room with the document that closes it, and the launch waits for the red ones. Our lawyer reads them, and we confirm with the estate's counsel ourselves.
Chain of title, latest signed copy
Estate or life rights, producer agreement, registrationName and likeness licence for the token
Separate from the film rights. Covers ticker and merchConfirmation with the estate's counsel
Reached through a contact we found ourselvesThe rights position, in writing
Verbal today. A letter from the entity that holds itThe estate's share, as its agreement writes it
Reported as 50%. We state it word for word
In development
Three films.
One documentary.
The rose and the concrete
The man who killed Tupac came from the same kind of home he did. One became the rose that grew from concrete. The other is only known for the killing.
Master of his destiny
Tupac believes he is in control while forces far bigger than him move his life around.
The days in between
The week between the shooting and his death, told by a friend who stayed at the hospital.
What the token actually does
Burn it to
own a piece.
Unreleased recordings
Burning tokens redeems access to music nobody has heard. Every track is cleared with the producer who owns the master and with the estate before it is offered.
A physical piece of the film
A patented structure lets holders who burn tokens own a piece of a film, proposed at 100,000 pieces per title. Counsel sets the structure before we describe it publicly.
The DAO and the discounts
A token gated community with a real voice on which stories get told, plus discounts on licensed products and merch, honoured by whoever sells them.
The way you buy
The token, alongside BTC and SOL, is how film pieces and music are bought. A payment widget converts on the back end so fans do not need to hold crypto first.
Supply and release
Fair launch.
Nothing hidden.
One billion tokens, a fair launch, and a release schedule published before launch with the wallet addresses, so holders know in advance when partner tokens can reach the market. Burns take supply out as music and film pieces are redeemed.
A release everyone can read in advance is fair. One people discover on the chart is not.
The one number that gets misread
1% means 1% of the
team allocation.
Not 1% of total supply. On a billion tokens the two readings are a hundred times apart, and only one of them is fundable: in a fair launch, what the team holds is what the team bought.
So the tokenomics sheet says which wallet the percentage is counted on, with the address, before anything goes live. Nobody should have to work it out from the chart.
1% of that = 500,000 tokens
which is 0.05% of supply.
Not a daily drip
Every release
is earned.
A daily release pays the calendar. We would rather pay the work. Each tranche sits in a smart contract and unlocks when something is delivered and confirmed.
It protects the partner too: when tokens move, the market can see what they moved for. Nobody spends the launch chasing anyone for what was promised, and the contract does the tracking so nobody has to argue about who delivered.
What frees a tranche
The endorsement is live
Posted from the official account, not a mentionThe posts are up, channel by channel
YouTube, Facebook, Instagram, X and 2pac.comThe coin is on the official site
Ticker, contract address, the linksThe scene is in the cut
The coin named on screen in the film and the documentaryThe family post, in their own words
Their own accounts, with the disclosure, on agreed datesRespect the roots
The family
gets paid first.
Tokens for the family and for the voices who carry this sit in goal based escrow, funded before anyone is asked to post, and released when the goal is confirmed. Identities and personal amounts stay private. Totals per escrow, the unlock rules, the contract addresses and the audit are public.
A fixed share goes to the Tupac Amaru Shakur Foundation, with its written consent, and every transfer is published on chain so anyone can check it.
How the private rails work
Funded before the ask
The tokens are in the contract before anyone is asked for a post, so nobody is working on a promise. If a goal is never met, the tokens go back to the community treasury.
Only a hash goes on chain
A hashed recipient list on day one, and private claims once the contracts are audited. Nothing holding the family's tokens goes live unaudited.
The audience is already there
One post from the
official account.
The contract address comes from them
It is published first on the official channels. Anything people see anywhere else is a fake, and that single rule is the best protection holders have against copycat tokens. The launch waits for that post.
The coin on screen, by name
In the movie and in the documentary: the ticker, the contract address, the website and the Telegram visible, and a scene where somebody talks about it rather than a logo that flashes past. Written into the agreement with the title and the running time.



The part that protects everyone
His name
is on this.
The estate's name, the family's name and Tupac's face are on this token. That is why the boring parts are not optional.
Securities counsel names the jurisdictions and signs off on the structure. A plain language disclosure goes out before launch: who is behind it, what the rights are, what the token does and does not do, and the risks.
Every announcement is true
Real milestones set the rhythm: casting, a director signing, the first trailerInsider wallets are published
What the team posts matches what the team's wallets doPaid promotion is disclosed
Every KOL post carries the label, with no numbersNobody posts as the family
Own accounts, own words, own loginsCounsel and jurisdictions
Engagement letter, and the countries the token is marketed inContracts audited
Escrow, claims and pools, before the family's tokens are in themWhat we need in writing
Seven signatures
and we are building.
01 · The papers
Chain of title, and the name and likeness licence covering the token, the ticker and merch.
02 · The post
A date from the estate for the official channels, and who approves it.
03 · The buy-in
How much you invest, in what form, on what date.
04 · A share of what you earn
A percentage of your revenue across all three films and the documentary, not one title. The contract is with you, not with a distributor.
05 · The coin on screen
Named in the movie and in the documentary: ticker, contract address, website, Telegram, and a scene about it.
06 · The channels
The social media manager, which accounts they control, and a posting calendar tied to the releases.
07 · Counsel and audit
Securities counsel appointed, jurisdictions named, contracts audited before the family's tokens go in.
Everything published
Each commitment lands on the website and in the white paper, so holders read it instead of hearing that it exists.
No date until the runway is built
The date follows
the work.
Papers
- Rights and licence
- Counsel appointed
- Tokenomics sheet
- Escrow contracts
- Audit booked
Runway
- Website
- White paper with the commitments in it
- Story film and short videos
- KOL list and dates
- Milestone calendar
Launch
- Official post first
- Contract address from the official channels
- Liquidity in the open
- Disclosure published
Utility
- Burn to redeem music
- The DAO opens
- Merch and ticket discounts
- Film pieces once counsel signs the structure
The culture
- Launchpad for other artists
- Tokenized IP so artists earn royalties
- Each artist signs their own licence
Launching a token takes a couple of hours. Everything around it is what takes the weeks.
The community is the millions
All Eyez
on Meme.
This deck is a working draft for the partners named on it. Every figure marked proposed or to confirm is not agreed. Names, likenesses, recordings, lyrics and trademarks remain the property of their rights holders. Nothing here is financial advice.